A visit to Seiko’s Shizukuishi Watch Studio
Seiko has man facilities across Japan, and the world, producing watches and watch components. One of the main production sites is located in Morioka, in the north of Honshu Island and about three hours from Tokyo by train. It is an area famous for its hot springs as well as Koiwai Farms, a farm and theme park that is apparently very popular with the Japanese.
Located in a serene, wooded area, the Morioka factory is owned by Seiko Instruments Inc (SII) – a distinct entity from Seiko Epson which runs the other facility in Shiojiri. The Morioka factory produces a whopping 10 million movements a month, most of which are quartz and destined for brands other than Seiko.
Also located in Morioka is the Shizukuishi Watch Studio. Established in 2004, the Shizukuishi Watch Studio is best known for its high-end mechanical Seiko watches, including Grand Seiko, Credor and Prospex.
Producing only mechanical watches, the Shizukuishi Watch Studio produces every component of the mechanical watch – it is the only fully integrated mechanical watch factory in Japan. For the mainspring and balance spring, for example, the raw wires are made 50 miles south of Morioka at another SII facility before being processed into the required parts in the Shizukuishi Watch Studio.
About two dozen types of mechanical calibres are made at Shizukuishi. Two highlights are high-end mechanical movements: the 1.98 mm high ultra-slim cal. 68 hand-wind found in Credor and the 9S series found in Grand Seiko. Annual output at Shizukuishi is in the region of 20,000 units.
The assembly area in Shizukuishi
Shizukushi Watch Studio is unlike any production facility for a luxury watch in Switzerland. The reception area is drab with late 20th century dull carpeting and all staff, even management, are wearing uniforms. But these cosmetic differences distract from the substantive, philosophical differences with European watchmaking.
For one, there is a tangible emphasis on individual quality and achievement. Scattered across the factory are boards with employee certificates of achievement, noting the different ranks with “Meister” being the highest (adapted from Germany’s apprenticeship system perhaps?). And within each department there are monthly performance charts for each craftsman showing the productivity.
This is not unique to the watch industry, in fact it is a national obsession in Japan. The Japanese government gives out honours to the best craftsmen, the best known type being the Living National Treasure bestowed on artisans. Some Seiko employees, both at Shizukuishi and in Shiojiri, are prize winners at the National Watchmaker Skills Competition while others like Mamoru Sakurada and Kenji Shiohara are “contemporary master craftsmen”. Shiohara-san and Sakurada-san have also been awarded "Medal with Yellow Ribbon" by the Emperor of Japan for their skills.
But the differences run deeper than that. There is a key philosophical divergence in Seiko’s approach to watchmaking versus its European peers. There is a focus, no, obsession, with perfect functioning and as a consequence all the processes that affect that are rigorously designed, like the clean room assembly for instance.
The focus on aesthetics on the other hand, is also different. Beauty for Seiko lies in legibility and elegance, hence the conservative but easily readable designs of Grand Seiko. The sharp, diamond-cut hands and indices characteristic of Grand Seiko are intentionally made that way so that they catch the light, improving legibility. Luminova, on the other hand, is not favoured since it is not quite timeless or elegant.
- SJX
This message has been edited by SJX on 2011-02-06 06:01:25